فيلم after 2

فيلم after 2. Splatter film

Poster art for 1963 , considered to be the first splatter film A splatter film is a subgenre of that deliberately focuses on graphic portrayals of and	Though Splatter is associated with fairly extreme Horror Films, and such works form the main focus of the book, a relatively diverse range of titles dating mainly from the 1960s to late 1970s are also included, for example ' , , the 1973 sequel to , 's , and 's
Retrieved on June 14, 2007	Retrieved on June 11, 2007

Poster art for 1963 , considered to be the first splatter film A splatter film is a subgenre of that deliberately focuses on graphic portrayals of and

Though Splatter is associated with fairly extreme Horror Films, and such works form the main focus of the book, a relatively diverse range of titles dating mainly from the 1960s to late 1970s are also included, for example ' , , the 1973 sequel to , 's , and 's

Retrieved on June 14, 2007

Retrieved on June 11, 2007

Film, Film, Film

There is also an emphasis on visuals, style and technique, including hyperactive camerawork.

Splatter film: Retrieved on February 18, 2008
Splatter film: The film director goes to the and begins to gather the : the , the , the , the , the , the , workers, and others, while the screenwriter stays behind in the central city
Splatter film: Splatter Movies: Breaking the Last Taboo of the Screen

During the late 20 th and early 21 st centuries, the use of graphic violence in cinema has been labeled " torture porn" or " gorno" a of "gore" and "porno"	This became evident with the release of many crime thrillers, particularly the 2007 film starring , and the 2008 film , starring and
The first appearance of gore—the realistic mutilation of the human body—in cinema can be traced to 's 1916 , which features numerous Guignol-esque touches, including two onscreen decapitations, and a scene in which a spear is slowly driven through a soldier's naked abdomen as blood wells from the wound	The British film , starring and , and its US counterpart , starring and , continued to facilitate this hybrid form of torture porn, which was also, to a lesser degree, evident in films such as 2007 starring , 2009 , and 2010 starring

During the late 20 th and early 21 st centuries, the use of graphic violence in cinema has been labeled " torture porn" or " gorno" a of "gore" and "porno"

This became evident with the release of many crime thrillers, particularly the 2007 film starring , and the 2008 film , starring and

The first appearance of gore—the realistic mutilation of the human body—in cinema can be traced to 's 1916 , which features numerous Guignol-esque touches, including two onscreen decapitations, and a scene in which a spear is slowly driven through a soldier's naked abdomen as blood wells from the wound

The British film , starring and , and its US counterpart , starring and , continued to facilitate this hybrid form of torture porn, which was also, to a lesser degree, evident in films such as 2007 starring , 2009 , and 2010 starring

Film, Film, Film

In the 2000s — particularly 2003—2009 — a body of films was produced that combined elements of the splatter and genres.

Splatter film: In the mid-2000s, the splatter film was given a major boost within the horror industry by a new wave of films—commonly referred to as —which became internationally known for their extremely brutal nature: 2008 , directed by Pascal Laugier, 2007 , directed by Xavier Gens, and 2007 , directed by Alexandre Bustillo and Julien Maury
Splatter film: Splatter came into its own as a distinct subgenre of horror in the early 1960s with the films of in the United States
Splatter film: Although the Blair Witch directors had not seen Cannibal Holocaust at the time of filming, this "" format was later used in their film

A difference between this group of films and earlier splatter films is that they are often mainstream Hollywood films that receive a , and have comparatively high production values	Arnzen argues that "the spectacle of violence replaces any pretensions to narrative structure, because gore is the only part of the film that is reliably consistent
Like their splatter forerunners, torture porn films reputedly emphasize depictions of , gore, , , and	Retrieved on June 11, 2007

A difference between this group of films and earlier splatter films is that they are often mainstream Hollywood films that receive a , and have comparatively high production values

Arnzen argues that "the spectacle of violence replaces any pretensions to narrative structure, because gore is the only part of the film that is reliably consistent

Like their splatter forerunners, torture porn films reputedly emphasize depictions of , gore, , , and

Retrieved on June 11, 2007

Film, Film, Film

In 1963, he directed , widely considered the first splatter film.

Splatter film: Retrieved on June 4, 2009
Splatter film: Retrieved on April 21, 2010
Splatter film: Splatstick seems to be more common in Japan, with the examples of , , and