| The researcher elaborates on these rhythmic patterns to disclose Hassan' satirical poetic style | It discusses the major structures and their sequences, extra-position in the formation of his discourse |
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| Second: Displacement of Speech Composition Styles that has been manifested in four pithy manifestations: 1 | The researcher discusses the existence of these patterns and their relationship to satire and its connotations and when they become stylistic devices rather than defective usages |
In the external rhythm, these areas have been investigated: the characteristics of the used rhymes, their statistics and the changes of the rhymes in accordance with the poetic necessities and their connotation: the relationship between the rhyme and the emotions, the types of poetic meters, the types of the rhyme scheme, the pronunciation effects, and their usages.
23| It studies connotation via repetition, juxtaposition, parallelism | Abstract : The researcher studies the stylistic aspects in the satirical poetry of Hassan in the connotative, the syntactic, and the rhythmic levels |
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| The study consists of an introduction, three chapters and a conclusion | Chapter Two: It studies the syntactic level in Hassan's satire |
It has become clear through these phenomena that Hassan has a tendency to use these forms with disregard of their connotation placement in language, but to other connotative pithiness that serve the context of the text and enriched its meaning.
| It has been conducted via two major issues: First: Extra-position of speech structure styles that has been manifested in four stylistic phenomena: 1 | Besides, four prominent rhythmic patterns are found to be a dominant feature in Hassan's poetry: 1 |
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| It deals with the major elements of rhythm and its manifestations internal and external | The rhythm of division and voice occasion |
The rhythm of the letter 2.