صور هجوله. صور هجوله مميزة

I became attracted to the joyriding subculture and wanted to understand it	Fearful of losing his system-monitoring night job, Rakan quits joyriding and instead, he imagines and virtually relives the hajwalah world through gaming
	I decided to focus on the hajwalah writers, and very soon after that, I decided to focus on just hajwalah joyriding

تفحيط هجوله

I wanted to make this film in order to take a closer look.

تفحيط هجوله: I end that scene to encourage questioning the notion of public space
صور هجوله واتس اب: As a Riyadh-native hoping to drive in my city one day, nothing seems more important than connecting my plight with my visible and yet marginalized male counterparts who drive in the outer-city
صور هجوله واتس اب: Can I possibly tell a story about a joyrider, to whom my accessibility is very limited? The side-window lens is surely symbolic in this film

Driven by curiosity, I also wanted to challenge myself and get uncomfortable	My lens is introduced with the first shot of the cityscape at night, from rooftop, then it continues — through the dashboard or side window
Rakan himself does not write graffiti, but I was led to his world through the hajwalah graffiti	I shifted my focus because I thought that joyriding in the kingdom is a more urgent story to tell, especially since it had been around for decades and yet had a single state-sociological narrative of it in the mainstream media

From far away I saw that joyriders contest space in public spaces with a quest for individual identity and fame.